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	<title>China | Fine Antique Prints</title>
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	<title>China | Fine Antique Prints</title>
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		<title>(China) Temple de Quang Qua Myau. Abbe Prevost, Histoire Generale des Voyages, 1746</title>
		<link>http://fineantiqueprints.com/product/china-temple-de-quang-qua-myau-abbe-prevost-histoire-generale-des-voyages-1746/</link>
		
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		<pubDate>Tue, 19 Aug 2025 15:47:25 +0000</pubDate>
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					<description><![CDATA[&#8220;Temple de Quang Qua Myau&#8221; Antoine-Francois Prevost (French 1697-1763) was an early 18 th century Benedictine monk who produced a great many works while he was unhappily sequestered in various monasteries in France and England. Known simply as Abbe Prevost, his work titled Histoire Generale des Voyages, ou Nouvelle Collection de Toutes les Relations de [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&#8220;Temple de Quang Qua Myau&#8221;</p>
<p>Antoine-Francois Prevost (French 1697-1763) was an early 18<br />
th<br />
century Benedictine monk who produced a great many works while he was unhappily sequestered in various monasteries in France and England. Known simply as Abbe Prevost, his work titled Histoire Generale des Voyages, ou Nouvelle Collection de Toutes les Relations de Voyages, par Mer et par Terre issued in 1746 was an expansive work referencing China, the East Indies, Asia, the Americas, early Australian voyages, New Guinea, Palau Islands, Africa, and voyages in the Pacific. All ll the views, and most of the maps, contained in Prévost&#8217;s giant work and were executed by Jacques Nicolas Bellin.</p>
<p>Copperplate engraving uncolored.<br />
11 x 8 inches sheet.<br />
Excellent condition.</p>
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		<title>(China) Nanking Porcelain Tower. Abbe Prevost, Histoire Generale des Voyages, 1746</title>
		<link>http://fineantiqueprints.com/product/china-nanking-porcelain-tower-abbe-prevost-histoire-generale-des-voyages-1746/</link>
		
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		<pubDate>Tue, 19 Aug 2025 15:47:25 +0000</pubDate>
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					<description><![CDATA[&#8220;Tour de Porcelain a Nanking tiree de Nieuhof&#8221; Antoine-Francois Prevost (French 1697-1763) was an early 18 th century Benedictine monk  who produced a great many works while he was unhappily sequestered in various monasteries in France and England. Known simply as Abbe Prevost, his work titled Histoire Generale des Voyages, ou Nouvelle Collection de Toutes [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&#8220;Tour de Porcelain a Nanking tiree de Nieuhof&#8221;</p>
<p>Antoine-Francois Prevost (French 1697-1763) was an early 18<br />
th<br />
century Benedictine monk  who produced a great many works while he was unhappily sequestered in various monasteries in France and England. Known simply as Abbe Prevost, his work titled Histoire Generale des Voyages, ou Nouvelle Collection de Toutes les Relations de Voyages, par Mer et par Terre issued in 1746 was an expansive work referencing China, the East Indies, Asia, the Americas, early Australian voyages, New Guinea, Palau Islands, Africa, and voyages in the Pacific.  All ll the views, and most of the maps, contained in Prévost&#8217;s giant work and were executed by Jacques Nicolas Bellin.</p>
<p>Double page copperplate engraving uncolored.<br />
14.5 x 11 inches sheet<br />
Excellent condition.</p>
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		<title>(China) Nanking. Engraved by Habermann. Published in France and Germany circa 1750</title>
		<link>http://fineantiqueprints.com/product/china-nanking-engraved-by-habermann-published-in-france-and-germany-circa-1750/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 19 Aug 2025 15:47:24 +0000</pubDate>
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					<description><![CDATA[&#8220;Vue De Nankin&#8221; Nankin, or Nanjing or Nanking is the capital of Jiangsu province in eastern China and was the capital of the country at several points in history. Located on the lower Yangtze River. Vues d’optique (optical views) were created in Europe in the 18th century. They are highly colored engravings of cities that [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&#8220;Vue De Nankin&#8221;</p>
<p>Nankin, or Nanjing or Nanking is the capital of Jiangsu province in eastern China and was the capital of the country at several points in history. Located on the lower Yangtze River.<br />
Vues d’optique (optical views) were created in Europe in the 18th century. They are highly colored engravings of cities that were shown through a viewing device (sometimes called a magic lantern) fitted with a mirror and a convex lens. The titles were printed on the sheets in reverse so that they would appear right side up when viewed. They were drawn with a one point linear perspective which when viewed through the machine created convincingly three dimensionality. Many of these machines were moved  from  place to place so that the owners could charge fees for public showings of the far flung places depicted. Since the engravings were not bound and very pulled in and out of the viewing machines, they usually show signs of wear.<br />
Some vues d’optique such as this one had windows and doors in the buildings cut out and  the openings backed with translucent paper so that when the print was backlit, the scenes provided illuminated night views.<br />
16 1/2 x 11 3/4 inches, sheet.<br />
Engraving with original hand coloring.<br />
Trimmed to plate mark.</p>
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		<item>
		<title>(China) Nanking. Engraved by Habermann. Published in France and Germany circa 1750</title>
		<link>http://fineantiqueprints.com/product/china-nanking-engraved-by-habermann-published-in-france-and-germany-circa-1750-2/</link>
		
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		<pubDate>Tue, 19 Aug 2025 15:47:24 +0000</pubDate>
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					<description><![CDATA[“Vue de Tour Porcellaine a Nancking en Chine” The octagonal Porcelain Tower also known as Bao’ensi (meaning Temple of Repaid Gratitude) was a pagoda constructed during the 15th century in the Ming Dynasty built of white porcelain bricks that were said to reflect the run’s rays during the day and with 140 lamps that were [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>“Vue de Tour Porcellaine a Nancking en Chine”<br />
The octagonal Porcelain Tower also known as Bao’ensi (meaning Temple of Repaid Gratitude) was a pagoda constructed during the 15th century in the Ming Dynasty built of white porcelain bricks that were said to reflect the run’s rays during the day and with 140 lamps that were hung from the building to illuminate it at night. The structure was topped by a golden pineapple. According to the 2014 New York Botanical Gardens book Flora Illustrata reproduces this view and describes the garden with its &#8220;irregular layout and exotic decoration of which greatly influenced the development of landscape gardening in Europe.&#8221;</p>
<p>Vues d’optique (optical views) were created in Europe in the 18th century. They are highly colored engravings of cities that were shown through a viewing device (sometimes called a magic lantern) fitted with a mirror and a convex lens. The titles were printed on the sheets in reverse so that they would appear right side up when viewed. They were drawn with a one point linear perspective which when viewed through the machine created convincingly three dimensionality. Many of these machines were moved  from  place to place so that the owners could charge fees for public showings of the far flung places depicted. Since the engravings were not bound and very pulled in and out of the viewing machines, they usually show signs of wear.</p>
<p>Nankin, or Nanjing or Nanjing.<br />
Is the capital of Jiangsu province in eastern China and was the capital of the country at several points in history. Located on the lower Yangtze River.<br />
Some vues d’optique such as this one had windows and doors in the buildings cut out and  the openings backed with translucent paper so that when the print was backlit, the scenes provided illuminated night views.<br />
16 1/2 x 11 3/4 inches, sheet.<br />
Engraving with original hand coloring.<br />
Trimmed to plate mark.</p>
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		<title>(Macao) after George Ruben West. London:, 1847</title>
		<link>http://fineantiqueprints.com/product/macao-after-george-ruben-west-london-1847/</link>
		
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		<pubDate>Tue, 19 Aug 2025 15:47:24 +0000</pubDate>
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					<description><![CDATA[“Macao Passage. Canton River 1847.’ A decorative and historically important print of the Macao Passage. The Broadway expedition was a British military expedition that explored the river now known as XI River in Guangdong Province in 1841 during the First Opium War.  The river served as a passageway from the Portuguese colony of Macao to [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>“Macao Passage. Canton River 1847.’</p>
<p>A decorative and historically important print of the Macao Passage.</p>
<p>The Broadway expedition was a British military expedition that explored the river now known as XI River in Guangdong Province in 1841 during the First Opium War.  The river served as a passageway from the Portuguese colony of Macao to the city of Canton. This image shows a steamship flying the British flag pulled up to the dock. Junks,  European style sailing ships and sculls ply the waters.</p>
<p>13 ¼ x 19 ¾ inches, sheet.<br />
Hand colored lithograph.<br />
Various repairs made to verso in margins.<br />
Stain in center of image and in right margin.</p>
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		<item>
		<title>(China) Canton. Engraved by Habermann. Published in France and Germany circa 1750</title>
		<link>http://fineantiqueprints.com/product/china-canton-engraved-by-habermann-published-in-france-and-germany-circa-1750/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 19 Aug 2025 15:47:23 +0000</pubDate>
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					<description><![CDATA[&#8220;Vue de Canton&#8221; Vues d’optique (optical views) were created in Europe in the 18th century. They are highly colored engravings of cities that were shown through a viewing device (sometimes called a magic lantern) fitted with a mirror and a convex lens. The titles were printed on the sheets in reverse so that they would [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&#8220;Vue de Canton&#8221;<br />
Vues d’optique (optical views) were created in Europe in the 18th century. They are highly colored engravings of cities that were shown through a viewing device (sometimes called a magic lantern) fitted with a mirror and a convex lens. The titles were printed on the sheets in reverse so that they would appear right side up when viewed. They were drawn with a one point linear perspective which when viewed through the machine created convincingly three dimensionality. Many of these machines were moved  from  place to place so that the owners could charge fees for public showings of the far flung places depicted. Since the engravings were not bound and very pulled in and out of the viewing machines, they usually show signs of wear.<br />
Some vues d’optique, such as this one, had windows and doors in the buildings cut out and  the openings backed with translucent paper so that when the print was backlit, the scenes provided illuminated night views.<br />
16 1/2 x 12 1/2 inches, sheet.<br />
Engraving with original hand coloring.<br />
Trimmed to plate mark on bottom. Evidence of handling.</p>
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		<item>
		<title>(China) Nanhun. Engraved by Habermann. Published in France and Germany circa 1750</title>
		<link>http://fineantiqueprints.com/product/china-nanhun-engraved-by-habermann-published-in-france-and-germany-circa-1750/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 19 Aug 2025 15:47:23 +0000</pubDate>
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					<description><![CDATA[&#8220;Vue de Nanhun&#8221; on the Yangtze River. Nankin, or Nanjing or Nanjing is the capital of Jiangsu province in eastern China. It was the capital of the country at several points in history. It is located on the lower Yangtze River. The accompanying French text describes the river as black as ink and filled with [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>&#8220;Vue de Nanhun&#8221; on the Yangtze River.<br />
Nankin, or Nanjing or Nanjing is the capital of Jiangsu province in eastern China. It was the capital of the country at several points in history. It is located on the lower Yangtze River. The accompanying French text describes the river as black as ink and filled with fish. It goes on to say that the banks have the best dark fine earth of anywhere and that it is used to make the crayon color known as Chinoise.<br />
Vues d’optique (optical views) were created in Europe in the 18th century. They are highly colored engravings of cities that were shown through a viewing device (sometimes called a magic lantern) fitted with a mirror and a convex lens. The titles were printed on the sheets in reverse so that they would appear right side up when viewed. They were drawn with a one point linear perspective which when viewed through the machine created convincingly three dimensionality. Many of these machines were moved  from  place to place so that the owners could charge fees for public showings of the far flung places depicted. Since the engravings were not bound and very pulled in and out of the viewing machines, they usually show signs of wear.<br />
Some vues d’optique such as this one had the windows and doors in the buildings cut out and  the openings backed with translucent paper so that when the print was backlit, the scenes provided illuminated night views.<br />
16 1/2 x 12 1/2 inches, sheet.<br />
Engraving with original hand coloring.<br />
Some evidence of handling.</p>
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